Pawson强调，无论是设计建筑物还是灯具，其的过程都是相似的。他说：“正如我常说的，无论是芭蕾舞场、教堂还是勺子，对我来说都是建筑。”
“从质量、体积、表面、比例、连接、几何学、重复、光和仪式上来讲，万物皆一致。”
Pawson stressed that his process remains the same, whether designing buildings or lights. "As I always say, whether it's a ballet set, a chapel or a spoon, for me it's all architecture," said the architect.
"Everything is traceable back to a consistent set of preoccupations with mass, volume, surface, proportion, junction, geometry, repetition, light and ritual."
Wästberg说：“我感觉越来越多的人对照明开始感兴趣，这不仅体现在对照明技术方面，还体现在照明形成的氛围方面。此外，我们不能再把电力看作一种取之不尽的资源，至少目前不是。”
在2016年 Pawson让Dezeen的记者进入他的诺丁山和国王十字车站的工作室，两座工作室都有着白色和灰色的极简主义风格。
"I have a feeling that more and more people are interested in lighting and not only the technical aspects of lighting but also how it makes us feel and the atmospheres it creates. In addition, we can no longer see electricity as an inexhaustible resource. At least not for the time being," added Wästberg.
Back in 2016, Pawson let Dezeen into his Notting Hill and King's Cross offices, both of which are decorated in a minimalist style, in shades of white and grey.
