（著名书法家何满宗题赞湘君巜人生三铭》）
跋
身登衡岳探紫冥 足濯湘水涤红尘 神游大千世事透 思接苍穹星辰近 历览贤哲求和索 反复叩问知与行 众生希冀何其多 蓦然回首三者重 平安为享受之首 健康乃幸福之基 成功即快乐之要 余深思之廿余载 悟南(岳衡)山心愿之旅 得铭文不足千言 勒之为鉴飨来者
戍戌年末又订于衡
When I climbed to the summit of Hengshan Moutain, it seems to me to be able to touch the Pluto and the Polar Star. In the Xiangjiang River I have washed off the dust; through travellingtraveling across the world I have read the world's affairs. My thought is interlinked with the vault of heaven and near to stars. After a survey of the search and exploration of the wise and able person and a repeated inquiry of the relationship between knowing and doing, I have realized that man expects too much. In my retrospect, suddenly I am enlightened that safety, health and success are of great importance. Among them, safety is primary, health is the basis of happiness and success is the key ofto happiness. During the past twenty years and more, I have pondered over what's behind the wish journey to Hengshan Mountain. These less-than-one-thousand-character inscriptions were composed for the young generations to enjoy and to use for reference.
Revised in Wild Goose City in fall, 2018
同道渺渺君子堂堂一一 跋《尹同君人生三铭》
陈羲明
同君(字湘君，别署湘君垆，号金石儒、书画禅、笔拂尘、洪垆)三铭，文起衡岳。
“云开衡岳积阴止，天马凤凰春树里，年少峥嵘屈贾才，山川奇气曾钟此”，借毛公当年《送纵宇一郎东行》之句状同君其地其人其文其书，颇为贴切。
“吾道南来，原是濂溪一脉;大江东去，无非湘水余波”。湖湘乃中国之丹田，华夏精气神之聚地。“西南云气来衡岳，日夜江声下洞庭”(清黄道让撰岳麓山云麓宫联)。八百里衡岳(韶峰为南岳七十二峰 之一)上顶湖南之天(灵)，八百里洞庭深接湖南之地(气)。衡阳回雁峰为南岳衡山七十二峰之首峰， 八百里南岳之龙头一—虽海拔仅九十八米，然真可谓“山不在高，有仙则名”。此峰秋冬可留北往南飞 之雁，足见灵气如何了得!南梁天监十二年，回雁峰始建云禅寺，隋改称雁峰寺沿袭至今，寺内有寿佛殿，(寿佛为隋唐时主持此寺高僧，明清之际，转世驻锡，寺门楹联“五百年化身归来，十方福地斯为美;七二峰从头数去，千古名山不在高”。)寿佛殿出后门，即达回雁峰顶及回雁阁。殿后墙及阁上书法名家荟萃，沈鹏、欧阳中石、李铎、王遐举、刘供彪，张继、周祥林、何满宗、虞逸夫、史穆、张锡良、 曾玉衡、邓盘石、欧伯达和(陈羲明)等皆有作品刊刻于此。出寿佛殿后门右侧，巨幅行楷《健康铭》《平安铭》即同君撰书。同君另有一铭《成功铭》，初为岣缕峰撰，现亦(类禹碑)勒石于石鼓书院。石鼓书院列宋兴之初四大书院首，比岳麓书院早建百年，为千年湘学之渊薮，朱熹、王船山、曾熙(大书家) 等大儒曾主讲于斯，亦当年曾国藩演练湘军水师之将台和湘军练成之出发地。同君于此二处能勒石铭文， 非衡阳一地之意味、品位，乃湖南甚至中国之意味、品位也。
同君三铭，字字珠玑，琢文十二载，阅改数百通，具古铭之精妙，蕴经典之正大;山野得兹蕙质兰馨， 庙堂珍其松柏仪范;高人阅过更求天真，凡夫诵来能得从容。同君书法，碑帖兼镕，散盘石鼓，秦昭汉刻， 龙门金刚，晋帖鹤铭，王欧褚颜，黄傅(山)何(绍基)曾(熙)，心追手摹，长锋沉着，日积月累，连(四十余)年不辍，直入堂奥，渐臻佳境，神清韵雅，气郁格高。其点画笔墨可见“唯有南岳独如飞”之风光， 亦有“楚虽三户，亡秦必楚”之风骨，还具“惟楚有才，于斯为盛”之风采。
同君同君，同道渺渺，君子堂堂。
同君三铭，斯文斯书，金声玉振，铁画银钩;勒石名胜，观摩誉众，流播后世，必长传承。 壬辰荷季之初于古城长沙太平老街三缘堂
(作者为中国书法家协会理事、评委，清华大学书法导师，湖南省书法家协会驻会副主席)
